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still from Wharf

Wharf

M. Le Grice (1968)

Slide projection performance..

still from What's That Sound?

What's That Sound?

G. Barber (1989)

The work is a post modern experiment with the idea of listening carefully.

still from What I meant to say was...

What I meant to say was...

A. Thew (1976)

Participation performance with transparent screens, words, and projected light.

still from What Is He Doing Now?

What Is He Doing Now?

I. Bourn (1988)

A deadpan portrait of Bill, an unemployed friend whose house in Sheffield I lived in '82.

still from Where are You?

Where are You?

G. Eatherley (2003)

Excavations and explorations which will forever by added to.

still from Where I am is Here

Where I am is Here

M. Tait (1964)

Tait's evocation of the city in winter

still from Whirl Up Sea

Whirl Up Sea

W. Raban (2003/5)

Work in progress for four screen environment.

still from Whitchurch Down

Whitchurch Down

M. Le Grice (1972)

Three landscape locations in looped sequences of pure colour..

still from White Field Duration

White Field Duration

M. Le Grice (1973)

A reference to the conditions and implications of the act of filming and projection..

still from White Stag

White Stag

M. Waller (2000)

White Stag (2001) is made in response to two sound works. L'Amorce des Consignes and 1/79, by Dominique Pettigand.

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