 | I Can't Make You Love Me B. Beban (2003) A woman who refuses to speak any other language except for the language of love. |
 | I Cat J. Parker (1980) A backbone is sometimes a fish. An animated film. |
 | I Love You S. Miles (1990) 'A fugitive feminist in fur.' |
 | Inscribe A. Tallentire (1994-1995) Performance and video transmitted as live performance via ISDN |
 | Installed Film 1 T. Syed (2000) As the blue and white, cold Norwegian landscape moves slowly across, this meditation is interrupted by quick and sporadic shots of husky dogs running past. |
 | Instances A. Tallentire (1999) One part of a video-performance cycle enacting a series of unrehearsed tasks. |
 | Interview with a nuclear contract worker M. Waller (1999) The character under interview is an extra from Glow Boys. Here he weaves a complex narration of his experience on the film set, shifting between his work in the reactor and his analysis of the ‘nuclear racket’. |
 | Introduction to Summer C. Elwes (1991) A one-shot one-minute embrace between a male hand and its female counterpart. |
 | Island Race W. Raban (1996) An examination of the post industrial landscape of London's East End |