 | Damsel Jam S. Miles (1992) An organic documentary. |
 | Das Pelzchen M. Curran (1997) Michael Curran explores his obsession with Sacher-Masoch |
 | Deck G. Eatherley (1971) An 8mm record of a voyage to Finland transformed by process. |
 | Delilah T. Syed (1995) Located in the darkness, a place of no boundaries, Delilah is a 'meditation on violence', love and survival. |
 | The Desert People D. Lamelas (1974) |
 | Desert Rose C. Swann (1996) A chilling account of the after effects suffered by the 'down-winders' from the Nevada Desert nuclear testing site. |
 | Deviant Beauty T. Keane (1996) 'An androgynous woman's surreal journey through the carnivalesque.' |
 | Diagonal W. Raban (1973) A double-exposed flickering rectangle of light, sliding diagonally in-and-out of frame. |
 | Disclaimer M. Curran (1993) A questioning of the motivations behind recording another person's image on video. |
 | Don't do to her what you did to me Z. Sedira (1998/2001) One sees a close-up shot of a glass being filled with water. |
