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still from Arizona/Arizona Nubian Desert Kite Medley Extracts

Arizona/Arizona Nubian Desert Kite Medley Extracts

G. Barber (1995)

still from Arrested Development

Arrested Development

G. Ndiritu (2003)

Using a simple image, Ndiritu attempts to transform the weighty issue of poverty into a testament to Africa's beauty and strength.

still from Arrows

Arrows

S. Lahire (1984)

The body is the locus of politics, and of rhythm, and of a conscious desire as to how it may be the subject of films and media.

still from The Artist

The Artist

A. Course (2000)

The artist is a buffon on its way to an unsure place.

still from A Ship Called Jesus

A Ship Called Jesus

K. Piper (1991)

An examination of the complex and ever shifting relationship between peoples of African descent and the economic and symbolic power of the Christian church and its iconography.

still from A Situation Envisaged: The Rite

A Situation Envisaged: The Rite

D. Hall (1980)

A circle of 16 TV sets face into the enclosed space, each playing a different broadcast channel from the next..

still from A Situation Envisaged: The Rite II (Cultural Eclipse)

A Situation Envisaged: The Rite II (Cultural Eclipse)

D. Hall (1988/90)

15 TV monitors are built as a single block close to a wall. All but one face that wall...

still from A Skinny Little Man Attacked Daddy

A Skinny Little Man Attacked Daddy

V.Dick (1994)

A look at my family and the place where I grew up.

still from Asleep

Asleep

S. Dwoskin (1961)

A study of sleep compressed into four minutes.

still from Aspects of Kirkwall: Ocassions

Aspects of Kirkwall: Ocassions

M. Tait (1977)

"What exactly has changed, in living memory, - 'nothing', or 'mainly the shops', or 'everything'?"

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