 | Argument A. McCall (1978) A film intended to open up a discussion within the avant-garde about the problems and contradictions of avant-garde film practice. |
 | Arrested Development G. Ndiritu (2003) Using a simple image, Ndiritu attempts to transform the weighty issue of poverty into a testament to Africa’s beauty and strength. |
 | Arrows S. Lahire (1984) The body is the locus of politics, and of rhythm, and of a conscious desire as to how it may be the subject of films and media. |
 | A Skinny Little Man Attacked Daddy V.Dick (1994) A look at my family and the place where I grew up. |
 | Associations J. Smith (1975) Images from magazines and colour supplements accompany a spoken text taken from Word Associations and Linguistic Theory by Herbert H Clark. |
 | Assumption P. Gidal (1997) Glimpses of life at the London Film-makers' Co-op's former premises and a tribute to Mary Pat Leece. |
 | A Study Of Relationships Between Inner And Outer Space D. Lamelas (1969) |
 | Attitudes 1-8 K. Meynell (1999) Attitudes 1-8 with Hayley Newman, were made in reference to Emma Hamilton’s performances in Naples at the end of the eighteenth century. |
 | Autobiographical Patterns Z. Sedira (1996) Autobiographical Patterns refers to the practice, common to many Islamic countries, of henna-drawn hand designs. |
 | Autumn Scenes W. Raban (1978) A film of temporal and spatial dislocation in three parts. |