This was also part of the Late Show's 'One Minute TV', and it's interesting to see how Kotting, whom many will know for much longer, languorous films, dealt with micro-duration. There are some familiar themes from his feature films: the hidden epicness of Britain's landscapes; near mythic roles played by everyday people; quotidian time versus universal time. An old hoary voice contrasts with the newness of a baby, a hundred years separating them. Hoi Polloi's images flicker like sentimental freckles on the screen.
