Using a series of limited choices made by participants, custom made animated
screen savers were produced to individualise personal computers.
Saving Face screensavers use
the metaphor of the unconscious to explore the possible individualization and radicalization of
computer interfaces. Custom-made screen savers were made for on-line participants from the
collated data provided by them from a spurious set of ‘choices’, which used and referenced
racialized terminology. Saving Face was a participatory
work that formed a continuum with Tan's other investigations into colour coding and early
Victorian racial classifications.
Commissioned by Film and Video Umbrella, ICA for Slipstream project at
www.slipstream.net