Developed in response to the Royal Pavilion (Brighton)
collections and Chinoiserie décor, Digiwall is the result
of a first time collaboration between artist and curator Erika Tan and photographic artist,
Anthony Lam. Both artists have had a long standing connection and interest in both the
historical and contemporary relations between 'East' and 'West' and
Digiwall allows a return to this focus and exploration by
way of digital wallpaper and a reference to the phenomena of Chinoiserie both past and
present.
Taking wallpaper design as both the medium and site with which to
reconfigure and reconsider 'representation' and its relation to the decorative; Tan and Lam have
created a series of 3 unique digital colour works on digital lambda durotans. These pieces
reflect a deliberation and engagement with processes of reproduction, imitation, imagination,
originality and questioning of ideas concerning authenticity which has dominated much of Tan's
work.
Presenting yet an-other multiple view of China,
Digiwall duplicates and processes many times over scenes
and scapes, reconstructed from elements of Lam’s personal collection of photographs (silver
gelatin) taken from within trains travelling through the pastoral landscape of China (1994 -95).
Mimicking wallpaper design's visual layering pattern technique,
Digiwall provides an opportunity to engage with scenes that
are real and at the same time unreal, leading nowhere in particular...
The works are an extension to
Fabricated, a series of interventions into the museum
during Architecture Week 2003
Comissioned by Brighton Museum
and Art Gallery
On permanent display in Brighton and Hove
Museum and Art Gallery and Arts Council, East, Cambridge. Also on
www.royalpavilion.org.uk